
Diana once observed
that she wanted to be thought of as a workhorse not a clotheshorse. Diana
loved clothes; they were a passion and a public duty. As the
Princess of Wales, her wardrobe requirements were complex; outfits
were needed for her duties as a member of the Royal family, overseas
trips, charity work and the many official functions and charity
galas that required eveningwear. From the early days of her
engagement it was inevitable that everything she wore, every new
accessory and change of hairstyle would be scrutinized.
The Princess understood that millions of people followed her as a
fashion icon and that the crowds who gathered to meet her expected
glamour. She also understood that the worldwide media coverage her
image generated could be used to good effect – to raise money for
the charity causes she so passionately supported.
The exhibition displays 28 outfits from the early 1980's
to her last public engagement. They reveal inevitable changes in
fashion style and the development of a young girl to a confident and
mature woman.
In the 1980’s the Princess supported the British fashion industry,
wearing clothes by Victor Edelstein, Murray Arbeid, Belville
Sassoon, Catherine Walker, Bruce Oldfield and Gina Fratini. Diana
placed British fashion, with its traditions of classic tailoring for
day and romantic evening wear, in the international spotlight. Like
any young woman she experimented and not all of her outfits were a
total success – but in the 1990’s something rather different
happened. The Princess now had the resources, the independence and
the experience to create a unique and personal style. British
designers continued to provide outfits, notably Catherine Walker and
Jacques Azagury, but increasingly she turned to international
designers, to Versace, Valentino and Chanel. Her look became more
international with a sophisticated and simple silhouette. The effect
was all in the details that became her hallmark; superb cut,
materials worn with coordinated accessories, handbags, jewelry and
shoes. Diana’s image will inevitably define a fashion look of the
late 20th century.
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Photograph ©
Tim Graham |